Supporting role Physical description: Blonde hair, average height and build. Please note: That the child actor will be required to get a rapid covid test prior to coming to set. Parents will ultimately be cast as well, so if there is an acting parent in the family, be sure to specify it in your application. Note: Must submit video of siblings together for consideration. Brother: male, , all ethnicities, runs around a camp participating in the activities. Note: Pre-screening video required.
Sister: female, , all ethnicities, runs around a campsite engaging with the activities. Prenegotiated clause that would pay an additional flat rate in case it goes to broadcast.
Staff: F. Younger Couple: all genders, , Younger couple. Female: female, Young Lead: all genders, Along with assisting the Ladies Wardrobe Supervisor this person will be responsible for helping to lead a team of stitchers and dressers as well fitting and dressing the women of the company.
Organizing dry cleaning both going out and coming into theatre. Excellent organizational skills. Experience with fitting and altering costumes. Comfortable dealing with large amounts of in-house laundry. Some shopping. Always prepared to work long hours, much of this time spent on foot. Wardrobe Union membership. Computer skills a plus. Must have at least inches of hair on top.
Street Playhouse Season. All Stage Manager positions have been filled for the season. Interested Equity stage managers may submit for future consideration. Goldman, general mgr. June at the David H. All applicants must be fully vaccinated for this position.
All applicants should be energetic, comfortable talking to theater-goers and be detail-oriented. A small team of marshals will work together in this outdoor job and must be able to work in all types of weather, while wearing a mask during all shifts, all while maintaining a smile. An in-person interview at the theatre will follow. All qualified individuals are encouraged to apply. Broadway houses in the theater district.
Offering weekday and weekend shifts from 1. Some sample hours include: pm, pm, pm, pm, pm, pm and more. Equity stage managers may submit for future productions. Playwrights Horizons is requiring that all artists be vaccinated. Qualifications -Be able to work outside in all weather conditions and on your feet for shifts from 1. Rehearsals begin Oct. Runs Jan. Rehearsals begin Feb.
Runs April May 22, no open roles. Staff: Pam MacKinnon, artistic dir. You will be asked to upload your headshot, resume, and a Youtube or Vimeo link to a short monologue. Your monologue can be either classical or contemporary, and it should not exceed 3 minutes. Your slate does not count towards the 3-minute time limit. To read more about our casting values and our commitment to inclusive casting at A. As such, Equity encourages performers of all ethnicities, gender identities, and ages,.
But when world-class art expert Lionel Percy flies over from New York and arrives at her trailer home in Bakersfield to authenticate the painting, he has no idea what he is about to discover. Inspired by true events, this hilarious and thought-provoking comedy drama asks vital questions about what makes art and people truly authentic.
Lionel Percy: male, , male, 60 - 70 year old; elegant, refined grayhaired gentleman. SPT 6. Equity SPT. Valley; runs Oct. Quincey P. Profoundly romantic. Would prefer not to be a royal if it meant she could settle down with her shepherd, Musidorus. Strong singing voice. An offbeat hero who is great with physical comedy. A hopeless romantic. Warm, skeptical. Wise beyond her years about everyone and everything.
Wise, intuitive. A playful spirit, frustrated by the rules and structures of the kingdom she inhabits. King of Arcadia. Blustery and confident but loves his family. Fragile under a big cloak of swagger as his ruling style loses popularity. A great sense of humor. Can see through everyone, they are the Oracle of Delphi, after all. A chameleonic and nimble right hand to the Oracle.
Must be a confident and idiosyncratic mover. Fun and wild. Provide your own accompaniment. What is important is that actors feel like they can be themselves and have a great time. If you are using an iPhone to video record, be sure to film horizontally and in a well-lit space not backlit.
At the top of the video, please slate your name and height. Callbacks on Aug. Message to schedule an appointment. This is a non-Equity production, no stipends or pay. Jenny Koons and Sam Pinkleton, dir. The Telsey Office, viewing auditions. Willful, self-dramatizing, obsessed with appearances--hers and others. Likes to win. Winner of the Drama Desk award, and nominated for a Tony in , Baby is about three couples each expecting a child and dealing with the painful, rewarding and agonizingly funny consequences of the universal experience of pregnancy and upcoming parenthood.
There are the college students, barely at the beginning of their adult lives; the thirty-somethings, having trouble conceiving but determined to try and the middle-aged parents, looking forward to seeing their last child graduate from college, when a night of unexpected passion lands them back where they started. In a serious relationship with Lizzy.
Lizzy Fields: , all ethnicities, College junior, wants to be a writer. In a serious relationship with Danny. Alan McNalley: , all ethnicities, Middle aged man. Married to Arlene. Empty nester. Arlene McNalley: , all ethnicities, Middle aged woman. Married to Alan. Pam Sakarian: , all ethnicities, Athletic and active 30 something. Married to Nick. Nick Sakarian: , athletic and active 30 something.
Married to Pam. Bring your own audio device with the accompaniment music no voices on your accompaniment. Note: Masks will be required once you enter the theatre and may only be removed once on stage during your audition. Note: CPT is a nonprofit, non-Equity, and no pay community theater. All rehearsals and performances will be in person at the theatre in Thousand Oaks, CA. We are expected to meet together within the safety guidelines established by the State of California and the County of Ventura.
This show calls for the performers to be in brief but close contact with each other. Please take this into consideration before auditioning.
If you are cast, you will be Required to be fully Vaccinated. The Conejo Players Theatre will take every step to ensure the safety and comfort of everyone involved. Audition Dates: Aug. Producer: cancangray gmail. McNicholl , prod. Dawson, dir. Extras: all genders, , clients in the shelter. McCoy Rigby Entertainment pledges to unlearn practices that are rooted in white supremacy and to learn, within a relationship of accountability with BFRJ, how to create the safest possible space for you as an artist to do your work.
If you would like to see a copy of our protocols, feel free to reach out to us and those can be provided. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Style will be rooted in ballet but use some contemporary and midth-century modern vocab Martha Graham meets Agnes de Mille.
Include self-tape with submission. Perform the specified actions for the role. Reels for these talents are highly encouraged. Logline: Coming to a therapy session, a woman believes in her delusion that her dead husband talked to her through a fish. Tone: Fantasy, Romance. Jeff is not only her husband but also her best friend forever. She depends on his companionship a lot, especially after her mom passes away.
Diana: female, , all ethnicities, Diana is a psychiatrist. She looks quiet and understanding. Her job is to evaluate if patients are suffering from mental disease, but she also tries to understand them and help them go through all the pain. Compare to Alison, she is the more rational one.
She takes care of Alison when she immerses in the grief and tries to help her go through the trauma. They have known each other since college and have experienced so many things together. He understands her insecurity and always supports Alison with his accompany and love. Set in Los Angeles in the late s, at a modern opera company. Featuring a customer browsing for a new vehicle, a pleasant receptionist who welcomes all the potential buyers, and a sales rep who wants to make sure the customer gets the best deal.
Receptionist: , The friendly receptionist is here to welcome all customers in Anderson Auto and help them get setup with a sales rep. Sales Rep: , The Anderson Auto Sales rep is a friendly attentive person who is there to help the customer get the best experience when trying to purchase a vehicle.
Production company may reach out with a script and request a video of your reading. Seeking someone with a lifelong passion for dance and movement, who actively makes an effort to stay healthy and active on a daily basis.
This is for a branded commercial about people struggling with joint health issues and aims to show different ways to stay moving and engaged. The role would include working with a physical therapist to demonstrate different exercises, sharing your testimonial on camera, and performing simple dance rehearsal visuals.
Staff: Sean. What is your name and where are you from? What is your background in dance? How important is mobility to you? Do you have any joint health issues? How do these issues affect your everyday? Have you taken joint health supplements before?
If so, what do you look for in a supplement? Pasadena, CA. Majority of the scenes to be filmed at night. Note: Stunt or parkour background required, include experience in your cover letter.
Note: Stunt or martial arts background required, parkour skills a huge plus. Include experience in your cover letter. Daily rate commensu-. Seeking energetic, stylish, and gen-z talent for this production. Will take place at different locations over the span of 1 or 2 days. Stavro Victor, content prod. We produce paid social ads for online advertising. Looking for hype people who can energize a crowd of 20,, throw t-shirts from center court, have on camera persona, attend appearances in the community, interact with fans of all ages, and bring their best to every LA Clippers home game!
No experience is required but participants must be willing to learn and be an active team player. Runs Apr. Park in the open lot on the Sepulveda side; check-in, 9 a. Halloween Horror Nights performance dates: Sept. ACT season. Performance schedule: Thurs. Audition should consist of one verse monologue from a Shakespeare play and one contemporary monologue not from plays in our season. The combined length of the two monologues should not exceed three minutes. The Equity stage manager for all four productions has been hired.
Claremont Opera House, Claremont N. Tour leaves New Hampshire Friday after Thanksgiving. See www. East, Laconia, NH And Aug. Christmas Carol of your choosing. If you play an instrument, you may accompany yourself or sing a cappella. If you play an instrument that does not lend itself to accompanying such as a flute, recorder, clarinet, etc, we will ask you to play a short piece that shows your abilities.
This is not a necessity. If you do not play an instrument — no problem. Nolen, dir. Otto Haas Stage 1st Rehearsal Dec. Eric Thomas, writer; Rebecca Wright, dir. All roles will be understudied. Staff: Terrence J. At the top of your video, slate your name and the piece s you will be presenting. Upload your video to only either YouTube unlisted video or Vimeo link. For cast roles, auditioning performers will be considered as possible replacements only. Actors of all backgrounds and abilities are encouraged to submit an audition.
Rehearsal runs Oct. Rehearsal runs Nov. Performers of all ethnic and racial backgrounds are encouraged to submit. Staff: Megan. Make these videos available to us by utilizing a private YouTube or Vimeo. Send the instructions needed to access your video. Theatre Company Season. Douglas, dir. Rehearsals begin Apr. Staff: Marc Masterson, artistic dir. Actors should prepare one contemporary monologue from a play written within the last 20 years of their choosing.
Youtube links are also acceptable, but Vimeo is strongly preferred. Self tape suggestions: Framing your shot helps. Nonincandescent, bright white lighting that includes some diffusion non direct, soft is best. Rehearsals begin Dec. Note: The season outlined above is subject to change. Staff: Greg Longenhagen, artistic dir.
Myers, FL. The theatre plans to hold inperson callbacks and agent submissions in Florida and in New York per Equity and CDC guidelines later in the summer. You may select a song of your choosing that is in the style of one of.
In-person callbacks will be scheduled per Equity safety guidance during the final weeks of August. WaterTower Theatre is dedicated to diversity and inclusion as a core value, and as such we strongly encourage actors of all ethnicities, abilities, genders, and ages to audition. Local actors encouraged to submit. It focuses on the role of women in contemporary American government, bipartisanship, the founding fathers and lots of pageantry. Lauren Gunderson, writer; Cheryl Denson, dir. Actors may demonstrate any non-musical talents such as magic tricks, baton-twirling or tapdancing.
Peter Baxter, in her 30ss, who also plays James Madison in The character of Patricia appears without pants but with undergarments using a sheet to cover up until she can locate her suit pants for a portion of the show. Bianca: , a liberal Southern hipster activist in her 20ss who also plays a sweet Southern good-girl intern, and Charles Pickney in Note: The play features adult language and content, including queer themes and profanity in every role.
Exile Season. Staff: Deborah. Block, producing artistic dir. With slating the video should be no more than three minutes total. When slating, include the following: name, pronouns if comfortable sharing , the titles and authors of your two selections. Note: We do not produce musicals at this time and your submission should not consist of a song performance. Equity SPT 6. Play House season. Maryann Morris, assoc. Deadline for submissions is Aug.
You will be contacted if further materials are needed. No travel, no lodging,. Spritz, coord. No dialogue or line memorization required. Led by a series of meaningful coincidences into an uncanny new world of psychics, spells, and spirits, the charmbackstage. Portrayable as Caucasian male or female. Looking for minors to portray our middle school background for our upcoming school scenes.
Make sure to inclide GDOL permit number in your submission. He loves the garment so much he even decided to become reborn and renamed himself after it. In the past, he wore white dreads. Obsessed with their handsome, charismatic cult leader and will do anything to see him succeed in converting minds.
No lines. Recoils in fear. Innocent Patient: all genders, , all ethnicities, shocked person who looks on wideeyed as her therapist begins bawling in front of her. All talent that identifies as disabled are encouraged to submit. All disabled identities are encouraged to submit. Note: Please do not send any sensitive personal information like financial or health information, or anything else you consider confidential.
We are committed to diverse, inclusive casting. For every role, please submit qualified performers, without regard to disability, race, age, color, national origin, ethnic origin, sexual orientation, gender identity, or any other basis prohibited by law. We look forward to watching talent from all over North America through this online open call.
Note: Please do not send us any sensitive personal information like financial or health information, or anything else you consider confidential. October January Must be able to self-report to print shoot location which will be within an hour or so from Boston, MA. Same Sex Couple: , all ethnicities, Same sex couple. All ethnicities and ages.
Must have a dog or a cat who could attend the photoshoot. Florida at a multiple golf course locations. Shoots should only take about 15 minutes. Note: Filming will take a day and will be filmed on-site in the escape room. Client is looking for an old, prospector type of character. Note that travel will not be included so please only submit if you are in the Atlanta area.
If you have any questions, feel free to reach out! Would like the talent to wear shapewear that is provided and do a review on the product plus model the product before putting on the wedding dress.
Must be comfortable talking on camera. Rumley, talent prod. Note: Talent will be needed for twofour days depending on role. Role 3: male, , Asian, shoots Aug.
Role 4: male, , Asian, shoots Aug. Role 5: female, , Asian, shoots Aug. Role 7: female, , Asian, shoots Aug. Saturday and Sunday evenings from 4 p.
Note: There will be one training day prior to your starting. Schedule is flexible but would prefer being able to work every shift. You will need to sign a parking application and a confirmation of a background check. Share samples of your work to be considered. Seeking Russian voice actors who speak Russian for these roles. It is important to the project that this voiceover be done by a French-speaking female from an African nation for authentication reasons.
Advanced sewing skills are needed. This position leads the fitting process and oversees the execution of the sewing team. Knowledge of sewing equipment.
See role for specific rate. Rate includes travel and accommodations. Content will live on website, Instagram, and a few other places. Responsible for every costume including laundering, cleaning, and maintenance. Thorough understanding of the costume design and construction processes and all the related aspects, and how they relate to the overall experience.
Changing, quick changing, maintaining, and continuing consistency with the original costume design. Attend all fittings. Dresses actors or facilitates quick changes for any cast member as needed. Attends all meetings as required. Must be able to lift and carry up to 50 pounds. Performs other related work as required. Note, all stage manager positions have been filled.
However, stage managers may submit to be considered as a possible replacement or for future opportunities. Submissions deadline is EOD Aug. Any interested SMs may submit for potential future positions.
Stage Manager resumes will also be accepted as possible replacements for other productions. The season outlined is subject to change. Chaz Brastow, Director of Production via e-mail at brastow peopleslight. The views expressed in this article are solely that of the individual s providing them, and do not necessarily reflect the opinions of Backstage or its staff. Great question! I appreciate your impulse to think strategically. Your query also reflects an understanding that success in the performing arts takes time.
For the majority of working performers, professional advancement is a process of one opportunity leading to the next, so thinking ahead indicates a precocious sense of how career trajectories in the arts unfold. Professional opportunities can be exciting for students, but they should not come at the cost of their education. Unless you return to school for a graduate degree, these four years are a unique opportunity.
Consequently, you should use this time to absorb as much knowledge as possible. Study a foreign language; take literature classes; learn about history; throw in a personal finance course; read constantly; try out an instrument. Investing in knowledge will inform your future work. The more you know and the greater your ability to think critically, the more insight you will bring to your roles.
You can further your career in performance within the framework of higher education, however. Summer internships have a way of turning into full-time employment after graduation. Participate in a study abroad program. Audition for everything in your department. Create a system of organization for all of your projects, papers, and notes so you can use them as future reference.
See as much live performance as you can. Revel in these four years of training so that you come out of your program with full momentum into the professional world. Choose your theme, write your story, cast your voice talent and submit your project for a chance to win cash and prizes.
Backstage Magazine, Digital Edition: August 19, Read Now. I always wonder whether that was a test by Fincher. I mean, it was so hammy; it was so un-Amy [my. What advice would you give your younger self? Watch loads of American films, make loads of American friends, preferably have an American lover, and make sure that you can really speak American. Even if you think you might be able to because you have English as a first language, that is not a passport to being able to speak American.
And now, I can be as free in American as I can be in English; but that took time, and what you need is freedom as an actor. How did you get your SAG membership? I did get it for that, eventually.
He recently padlocked them out of jobs, denying them an income, cutting off funding for their health care and stopping the production of sets for the new opera season. Without people, the opera is nothing. Gelb seems to think otherwise. Stagehands, ticket sellers, set, costume, lighting and makeup artists, broadcast professionals, along with other dedicated Met employees, understand the strain COVID is placing on the performing arts and are willing to make accommodations during these difficult times.
Make no mistake, producing opera is labor intensive and the Met is reliant on the artists onstage and offstage. The Metropolitan Opera House will remain dark and quiet, a vacant warehouse.
Stop a real opera tragedy. Tell the backstabbing Met management to back off. Withhold contributionS to the Met until workers are reinstated. Register for updates and to show your support. Visit us at: www. Share your story with us and you might be featured in an upcoming issue! Young Woman. Barbra Streisand is the only woman who has. The team is aiming to start production in April and continue shooting through the spring.
No location has been announced. Baldasare Casting, though no actors have been announced yet. Production on the potential series is expected to start in Atlanta in April. Please note that shoot dates are subject to state and county restrictions and may change. Refer to Call Sheet for updates, and keep checking Backstage for the latest news on project development during this time. For the latest news, check out backstage.
No actors are publicly attached to the project so far, but it has planned an April start date, with Ireland as a prospective shooting location. That kind of ignorant curiosity was exciting. I have to keep coming back to the theater every couple of years to do a play to re-teach myself how to act. So then, the alien takes his form and becomes Harry Vanderspeigle. Follow us on Twitter Backstage and Instagram backstagecast to stay in the loop on upcoming interviews and to submit your questions.
But an alien accidentally crashes his spaceship—he was on his way to the earth to destroy all human life—[and] seeks shelter in that cabin and kills him a little bit. Want to hear more from Tudyk? Watch our full interview at backstage. Co-created by Ryan J. Condal and Miguel Sapochnik, along with book scribe George R. Martin, the project was unsurprisingly given a straight-to-series order. Set years before the events of its predecessor, the new show does not yet have a premiere date.
Harry Vanderspeigle, a small-town. They move ergonomically; their form is being manipulated with. His early roles created the template for his career. It was 25 roles in a [three-person] play. Oh, it was so much fun! It really set the stage for what my career would become, because I played a lot of little, very different roles. And Tasha, unbeknownst to her, recorded Andra getting into character. This is being.
And so a lot of actors are untrusting. Instead, he went with singer Andra Day, who stepped onto set having never acted in front of a camera. That requires a total lack of rigidity—on the part of the actors, the director, and the storytelling itself. What can I do to make the world better? What can I do to make my environment better? What can I do better for my kids? This is a call to arms. Like a mother hen, I want to make sure that everyone is educated, cautious, and has given consent to any action taking place.
I spoke to my colleague Peter King, a stunt coordinator with over 25 years of experience, about what actors need to know before diving in. How do you determine whether an actor can do a stunt themselves versus using a stunt performer? We are brought in when the script has scenes with any type of action or events that would require the actors to be put in any physical situation. Sometimes, it may be something simple, like riding in a car that drives erratically, or something more challenging, like jumping out of a tall building on fire shooting a gun while falling.
Deciding whether an actor can do any actor action in a scene requires an evaluation of their ability and confidence to do what is needed. When it really has to be the actor, there are times we change how the scene is written; or we can use a stunt person and keep it all as it was intended. A good stunt coordinator will be good at having many options to make this happen in a way that pleases everyone.
What can an actor do to be of service to the stunt coordinator? Just like fight scenes, intimate scenes require professional guidance. Where are you OK to be touched? Where are you most importantly not OK to be. An actor who thinks they know it all and will not listen to any directions makes things very challenging. One of the more difficult things can be when the actor demands to do their own stunts.
Then we have to simplify the scene to keep them safe; and they then think it was easy and do not realize what we had to do to make it work for them. They never get to see how much more dynamic it could have been with the stunt double doing it the way it was planned.
Of course, an actor can always, no matter the circumstances, ask for a stunt double. If an actor ever feels uncomfortable with what they are being asked to do, they.
Can you describe the stunt process on the day of filming? The process can differ for many reasons. I meet with the director, first AD, crew, and my team before the day starts to make sure everything is in place and [to] discuss any changes. Then I meet with any actors involved to make sure they are comfortable and ready.
Safety meetings can happen before or after rehearsals, but always right before we do the stunt. In this meeting, we cover every detail of the stunt, down to where crew would be standing. Well, in my experience, most actors tend to forget that concept once they get signed.
The memory loss usually begins when the ink dries on our contract. Then the kid informs me he just signed with a manager. To be clear, he has the right to do that. But staying modest and true to herself does, too. Find roles that resonate, and passion will follow. I have passion in everything that I do. So, for me, playing the daughter is playing myself, helping people. I also love to help people in any way that I can. Be consistent and appreciate all the nos you will hear—it only makes you stronger.
Ask questions, take a lot of acting classes, and grind, grind, grind! Our ability to function effectively is largely based on having current information right in front of us.
In those cases, I can look past the frustration, because the events have occurred outside my sphere of influence. To be successful, agents and clients have to work as a team. This actor just called to say it was a done deal. You know why? The guy is toxic. I might have inside information you need to know. And there could be some history there that will screw up our relationship. It could be something minor like a new hairstyle, or something major like a piercing or tattoo.
I may have some insight on how the change will affect your casting prospects. Yes, you have the right to live your life, but I might be working on something that could end up conflicting with your out-of-town dates.
If you at least give me a heads up, the two of us can figure out a game plan, and we can avoid any nasty surprises. And who knows? Every now and then, if the stars line up correctly, I might actually share something that makes all the difference in your career.
Although the U. You never know—you may find yourself in her room for Season 2! We were lucky that we. A mixture of ideas, lists, and in-person casting kicked off the process; and. As the episodes went on and we were down to day players, we used a mixture of self-tape requests or in-person meetings with Cole Edwards, my associate on this project, who worked extremely hard. Auditions were fun and friendly, I hope! In that world, there are lots of different forms of chemistry: friends, families, and lovers.
There was a clear distinction from the start between the Bridgertons and their neighbors, the Featheringtons, and once we cast a couple of them, the rest were easier to add.
Costume clearly helped with this, but there is an essence to each of the actors that puts them perfectly within the families. What kind of research went into casting this series? I drank a lot of tea, quadrilled often, and promenaded every day. No, seriously, Chris [Van Dusen] is a generous showrunner who is accessible for questions and very happy to explain his visions.
I read a lot of the book, and I think Lilly [Hanbury] in my office read the whole series. She loves a bit of Regency romance.
Where do you look for talent outside of agent submissions? Honestly, everywhere. And we do. What I will say is I snoop around [on] fan sites a lot and pinch ideas all the time. He took his final bow as Billy two years later and began chipping away at a career in film.
Consistently employed throughout his adolescence and into adulthood, the year-old has become one of the most bankable movie stars working today thanks to his turn as Spider-Man in the Marvel Cinematic Universe. In other words, one could call his career a Hollywood anomaly.
His expertise in the physical also dictates how he plays less superheroic, reality-based characters. But by being able to do the complete opposite, you can mold yourself into these different people in an easier, more fluid way.
It has everything to do with my physicality. We like to talk about the totality of the film with all of our collaborators. And Tom is somebody who is very easy to engage on that level, because his brain goes there.
This specific thing, where he does like to review his performance and think about how he can innovate on it in a coming take, or in later scenes, is very much the way Joe and I like to work.
It also further speaks to the fact that, aside from the intensive West End— caliber dancing of his youth, most of his craft as a performer has come through osmosis while working on professional sets, not via more traditional means of schooling. He cites those co-stars, as well as Robert Downey Jr. All of those things are helping me become a better actor. The easiest way for me to find a character is to find the similarities between myself and the character and then build on that.
He did this, in part, via extensive research and interviews with veterans who have experienced PTSD and addiction. I like the idea of constantly chasing what I wanted, because I know so much more now. During a tumultuous , a handful of actors acquitted themselves brilliantly, leading or supporting more than one buzzy film or television series. We at Backstage enjoy saluting those hardworking stars, each year naming the list of screen MVPs.
Without further ado, welcome to the Zendaya Awards! Grant keeps pushing the limits of what he can do—and what his devoted audience can accept—both on this buzzy series and in the. Everywhere you looked in , there Odom was. Can Zendaya do any wrong? She is simply a force of nature. This charming Amazon Studios indie kicked off , signaling an auspicious year for its cast. Lauren Gunderson, writer; Melissa Crespo, dir.
Rehearsals begin Mar. Rehearsals begin May 11; runs June All auditions will be done virtually. No live auditions will take place at this time. Video submissions should be unlisted not private YouTube links. Submissions deadline is Feb. Submit no more than two minutes of content of your choosing. A preference would be for the spoken word: a monologue, scene or poetry.
If the work you submit is longer than two minutes, indicate which two minutes you prefer we view. Will the murderer be caught before it is too late? Note: No roles will be understudied. Actors must have access to a secure internet connection. This will be an interactive experience with the audience. Actors should be comfortable with at least some mild improvisation.
Staff: Brenda Withers, playwright; Carol Dunne, artistic dir. Note: Actors will rehearse and perform remotely from their homes over Zoom. Performances will be presented to a live Zoom audience. Daisy: female, , all ethnicities. B: female, , all ethnicities.
Joe Chandler: male, , all ethnicities. For consideration, email picture and resume to kcactorsubmissions gmail. Submissions received after Feb. Pale skin. For on-camera inserts of entire body--hands, arms, torso, etc.
No nudity is required. Role may require being shirtless; must be comfortable with this. Small cast and crew.
Face will not be on camera. Reboot of a popular TV series centering on a new generation of New York private school teens using social media to spread gossip. Note: Mandatory COVID testing is required and provided by production and masks must be worn on set at all times other than when shooting on camera. COVID testing is paid. In person fitting date may be needed prior to work date. Core will be covid tested weekly and will be kept on ongoing payroll even when not needed for the day.
Mandatory testing provided by production and backstage. Join American Airlines and Stand Up To Cancer in our mission to help make everyone diagnosed with cancer a long-term survivor. Visit StandUpToCancer. Talent will need you to memorize and recite lines for the video. This will be recorded in your home and will need to have a circle light and microphone when the recording takes place. One session will be the day before to just go over everything then the next day will be the actual recording.
Like every so often she accuses me of stealing from her. But then the next week, she was insisting that I stole it again. Might wear a beanie. Auditions dates TBD. Rehearsals will be remote. Lauren: female, ,. Logline: A couple realizes they have reached the end of their relationship and we see how they are handling it. This video will cut between acting scenes and dance interludes.
Performers must be able to act and dance. He is the first to realize the relationship is at its end. He knows they are both at different places in their lives now. Lukas loves Natalie and knows she wants to fight for them, but he wishes to move on. He struggles seeing Natalie in pain.
Through the ups and downs she wants to make it work. Natalie has to come to terms with that she can not be in his life but still wish him the best. Note: Strong technique, flexibility, and acro skills are a plus. Synopsis: After the death of her mother Alex is left feeling utterly alone.
To not feel this way on her birthday she invite some guests over, but things go from bad to worst before her very eyes. Face-covering required except for when the actor is on screen , social distancing between the cast and crew, constant sanitation, COVID test taken prior to showing up on set, etc.
African Descent, quiet and mysterious. She sacrifices her own well-being so the people around her can have a good life. Synopsis: Celebrity backstage. Tammy must decide if contradicting her values is worth saving their careers.
Staff: Nicole Mairose, Ian Cabelo, prods. This Role requires Partial Nudity shirtless scenes. Hispanic Spanish is needed. Conventionally attraction. Pretty fit. Facial hair Not needed but preferred. Located in LA. Need to have cooking skills.
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