Since Tyler is just a hallucination, we know that Tyler dies when narrator mind accepts his death. The narrator can't do this on his own, since he needs Tyler's permission to do so otherwise why would he ask Tyler to listen to him? Now, if he really wanted Tyler to die, he could have shot Tyler directly and imagined his death, which would have lead to the end of Tyler. Is this shooting scene in the significance of "Fight Club" where the narrator wanted to shoot himself just with the spirit of hurting himself?
Does this indicate that Narrator and Tyler became one at the end? Was that shot really needed to kill Tyler? What would have happened if Tyler also got shot in his mouth and was alive instead of getting shot in his head? I have attempted the plot-explanation, but I watched the movie only once long back The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler.
He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing.
While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun.
It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek , it was his mental F You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.
He sees The Narrator put a gun in his mouth, which means that if The Narrator pulls the trigger, Tyler would believe he would die as he would believe The Narrator would die. Before The Narrator pulls the trigger, he says "Tyler, my eyes are open".
The significance of this is that The Narrator sees Tyler watching himself pull the trigger. In The Narrator's eyes, Tyler dies so that Tyler can never return in his mind.
He needed to 'see' Tyler die, so that Tyler cannot come back. What Tyler didn't see is that the bullet did not go through his brain allowing The Narrator to survive. This is the only way The Narrator could 'kill' Tyler. By tricking Tyler and his own subconscious, he needed to 'see' it happen, otherwise Tyler wouldn't be dead. The hole in Tyler's head is just showing the narrators total rejection of Tyler. It's less about the actual shooting and more about the fact that he maned up and became what Tyler was there for.
He saw Tyler as a problem. The act of him shooting himself is what got rid of Tyler his total rejection of Tyler. He no longer had a need for that personality anymore because he was now able to handle his own life. Even when the Narrator was in control he couldn't have had shot Tyler directly because he would have imagined killing somebody else.
Tyler refers to himself at one point as the Narrator's "imaginary friend"—but really, he's more like a hallucinatory hitman, hired by the protagonist's subconscious to blow up his life Fight Club doesn't tip its hand much when it comes to foreshadowing its big twist, but Tyler Durden actually appears on four separate occasions before we ever really meet him—in the form of a single-frame blip on the screen. On re-watch, these moments are obvious proof that Tyler isn't a real person.
But in a movie that makes such pointed statements about consumerism and human manipulability, it's also no coincidence that our first glimpse of Tyler comes in the form of a subliminal message.
By the time he makes his grand entrance as the Narrator's airplane seatmate, you kinda feel like you know him. One of Fight Club 's niftier sleights of hand is that despite being the film's two central characters, Tyler and the Narrator almost never interact with each other in front of anyone else.
But one notable exception is a moment that takes place about two thirds of the way through, when they're in a car crash along with two other members of Project Mayhem. On first watch, this scene seems like a couple's spat of sorts between the Narrator and Tyler, with the Mechanic and Steph playing the part of a bizarre Greek chorus in the background.
But if you delete the Narrator's half of the dialogue, the scene still totally works as an illustration of indoctrination-in-action. Also, watch closely at the end and notice that Tyler, who was behind the wheel, emerges after the crash from the passenger side of the car—and pulls the Narrator from the driver's seat. As far as the Narrator is concerned, Marla is a nuisance and an interloper whose noisy sexual relationship with Tyler keeps him awake all night.
But from Marla's point of view, the Narrator and Tyler are one and the same—which actually goes a long way toward explaining why she continues to maintain a relationship with him. The Tyler Durden Marla knows is moody, emotionally unavailable, and kind of a jerk to her; "You love me, you hate me. You show me your sensitive side, then you turn into a total asshole," she snaps. But at the same time, that line could just as easily describe any number of guys who aren't suffering from literal split personality disorder.
Another 5 teenagers in Monterey, California were arrested this week for planned fights and unplanned fights that surrounded the planned fights. These cases answer again a question that has cropped up since the movie Fight Club came out 10 years ago: Yes, participating in fight clubs is generally illegal.
The Narrator says no and goes to the support group. Tyler came home from his banquet waiter job as Marla called to say she was close to death. Does Tyler Durden die at end?
Does the narrator kill himself Fight Club? Does Tyler kill himself in Fight Club?
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